The Crown was the first project that I worked on remotely during the COVID-19 lockdown. Despite not being together in person, we worked together as a team to deliver so many quality shots! I contributed roto, clean up, and compositing work across many episodes. Much of my work involved set extension.
As one of the few American artists on our team, I did my best to get up to date with all the historical gossip and enjoyed watching the final product to see how things fit together!
As one of the earliest compositors to join this show, I had the opportunity to contribute a lot of my ideas. Working closely with the vfx supervisor and lead, I helped develop the look of key scenes, such as the large bonfire, Scrooge as a ghost, and the ice in the ceiling. Later I executed many shots, helped other artists match to these determined looks, and made template scripts to send to other studios.
As a compositor on this short for Sky Arts, I did paint and retime work.
“In search of an identity, Candy wanders through the digital landscape, leaving fragments of herself behind in this experimental short drama.”
LilMissCandy786 was broadcast on BBC Four as part of a night of short films marking the 30th anniversary of the World Wide Web. My primary role on this project was VFX consultant - I spoke with the producer about how they might most practically achieve effects that they wanted. I also did some clean-up work.
You can learn more about the film on the director, Myriam Raja’s website HERE
“Hot Trash is the show where we take your trash and turn it into treasure. Bikes into basketball hoops, cars into ping pong tables or even a beer barrel into a drum kit.”
At the NFTS, as colourist and online editor, I collaborated with Directing and Producing Television MA students Amos Rock-Davidson and Jenny Kuznetsova on their pilot episode of Hot Trash.